Shakespeare Bulletin

Shakespeare Bulletin is a peer-reviewed quarterly journal which publishes articles at the cutting edge of Shakespearean and early modern performance studies and theater history. It is a distinguishing feature of this journal that it welcomes scholarship on the full range of plays not only by Shakespeare but also by other early modern dramatists. The focus of all articles submitted should, in one way or another, be on the performance of these plays, in any medium, whether in the early modern period or in later centuries.

Articles may examine performances of early modern plays in their own period and/or beyond; explore the use of performance in scholarship, activism, or teaching; develop performance-related scholarly methodologies and theoretical approaches to the performance of early modern drama; compare productions or analyze a single production; scrutinize ground-breaking new modes of performance in a variety of media and venues; explore performance traditions of early modern drama around the world; interrogate the intersections of performance with new and existing subfields of research into early modern drama.

All proposals are treated with the strictest confidence, and reviewers will not share submissions with anyone other than the editor.

Submitting an article

The journal normally publishes at least two open issues every year. Please submit articles (as Microsoft Word documents) directly to the general editor at SBeditor@nottingham.ac.uk. You do not need to include a cover letter, but please include a short abstract (200–250 words) and a confirmation that the article is not under consideration elsewhere.

The standard length of articles in the journal is between 6,500 and 9,000 words, though we will consider shorter and longer submissions where appropriate. In recognition of the labor undertaken by authors submitting articles, we do not require initial submissions to be formatted according to the house style, but should the article be accepted it will be the author’s responsibility to format the article, and doing so from the start will help expedite publication.

Proposing a special issue

Shakespeare Bulletin welcomes proposals for guest-edited issues from scholars at all career stages. To propose a special issue, please submit a proposal detailing the subject and rationale of the issue, the proposed contributors and contributions (with abstracts of 200–250 words), and the envisaged timetable. Proposals should be emailed directly to the general editor at SBeditor@nottingham.ac.uk.

Special issues usually include 4-8 articles, provided the total word count is 40,000–55,000 words. Special issues may also include performance and book reviews, in consultation with the journal’s editorial team.

Open access

Shakespeare Bulletin is a RoMEO green journal and permits authorial archiving of pre-print and post-print articles on author server, departmental server, institutional server, or in Open Access Archives, if required by law. Authors must request prior permission from the published, publisher copyright and source must be acknowledged.

Shakespeare Bulletin House Style for articles

Shakespeare Bulletin generally follows the guidelines set down in the most recent MLA Handbook for Writers of Research Papers (currently the 8th edition, 2016).

Detailed author guidelines addressing common queries may be downloaded here.

Guidance on using images in articles can be found here.

The Hopkins Press Journals Ethics and Malpractice Statement can be found here.

Peer Review Policy

Shakespeare Bulletin welcomes submissions of original, unpublished work in English that is not under consideration elsewhere. The general editor conducts an initial review to ensure that the submission focuses on early modern drama in performance and is of suitable quality. If an article is unsuitable for the journal, the editor will make recommendations for other outlets that might be more suitable.

A submission that passes this initial review is sent to at least two readers for double-blind peer review. Shakespeare Bulletin uses readers at all career stages, chosen for their expertise in the subject area(s) of the submitted article. Readers agree to the journal’s peer review guidelines for ethical reviewing practice. Reviewers may recommend one of four outcomes:

• Accept the submission
• Provisionally accept with revisions
• Not accept but resubmit with revisions (with or without another round of peer review)
• Decline publication without the possibility of resubmission.

Based on these recommendations, the general editor will communicate the decision to the author along with their own remarks and a summary of the reviewers’ comments.

We aim to give a full response to authors within four to six weeks of the original submission. Where circumstances delay a response beyond this period, the general editor will communicate with the author to keep them updated about their article’s progress.

If revisions are required, authors will be given a deadline by which to respond to the reviewer comments and submit a revised piece, formatted according to the journal’s style guide. Authors are asked to explain in their resubmission how they have responded to the reviewer’s comments. Submissions may be returned to the author if the revisions and explanations do not fully account for concerns raised at the peer review stage, which can delay publication. Accepted submissions are usually published in the next volume following confirmation that a submission has been definitively accepted.

Shakespeare Bulletin is committed to anti-racist and inclusive scholarly practice. Please read the editors’ response to the Race Before Race open letter here.

General Editor

Peter Kirwan
University of Nottingham
Email: Peter.Kirwan@nottingham.ac.uk

Book Review Editor

Sarah Dustagheer
University of Kent
Email: S.Dustagheer-463@kent.ac.uk

Performance Reviews Editor

Kathryn Vomero Santos
Trinity University
Email: ksantos@trinity.edu

Editorial Board 

The Editorial Board of Shakespeare Bulletin includes scholars at all career stages reflecting different constituencies of the journal. During their term on the Editorial Board, members play an active role in reviewing articles and special issue proposals in their areas of expertise and advising on journal policy. We invite the editors of special issues to join the Editorial Board as part of their involvement with the journal. Members of the Editorial Board abide by the Terms of Reference.  

Pascale Aebischer, University of Exeter
David Sterling Brown, Binghamton University
Mark Thornton Burnett, Queen’s University Belfast
Lauren Eriks Cline, St. Norbert College
Vanessa Corredera, Andrews University
Keir Elam, University of Bologna
Michael D. Friedman, University of Scranton
Farah Karim-Cooper, Shakespeare's Globe/King's College London
Sawyer Kemp, University of Illinois at Urbana-Champaign
Amy Kenny, University of California, Riverside
Courtney Lehmann, University of the Pacific
Cary Mazer, University of Pennsylvania
Lucy Munro, King’s College London
Kathryn Prince, University of Ottawa
Richard Schoch, Queen’s University Belfast
Greg M. Colón Semenza, University of Connecticut, Storrs
Kim Solga, Western University
Ayanna Thompson, Arizona State University
Evelyn Tribble, University of Connecticut
Nora Williams, University of Essex
W. B. Worthen, Barnard College, Columbia University
Ramona Wray, Queen’s University Belfast
Sandra Young, University of Cape Town

Advisory Board

The Advisory Board of Shakespeare Bulletin is made up of longstanding contributors both to the journal and to the field of early modern performance studies, who offer their services both as expert reviewers and as consultants on journal policy.  

Stephen M. Buhler, University of Nebraska, Lincoln
Samuel Crowl, Ohio University 
Katharine Goodland, CUNY
Andrew James Hartley, UNC Charlotte 
Naomi C. Liebler, Montclair State University
Genevieve Love, Colorado College 
Kirk Melnikoff, UNC Charlotte
Carol Chillington Rutter, University of Warwick
Tiffany Stern, Shakespeare Institute
Fran Teague, University of Georgia
Paul Yachnin, McGill University

Founding Editor

Seymour Isenberg

Previous Editors

James P. Lusardi and June Schlueter, Lafayette College (1983-2003)
Andrew James Hartley, University of North Carolina, Charlotte (2003-2013)
Pascale Aebischer, University of Exeter (2012-2017)
Kathryn Prince, University of Ottawa (2017–2020)

Shakespeare Bulletin publishes reviews of new books within the field of early modern performance studies and theater history.

Authors interested in writing book reviews should first contact the Book Reviews Editor, Sarah Dustagheer, at S.Dustagheer-463@kent.ac.uk to discuss a proposed review. Reviews are usually around 2000 words, and the journal will work with publishers to provide reviewers with complimentary access to the book.

Authors and publishers who would like their books to be reviewed in Shakespeare Bulletin are invited to email the Book Reviews Editor. Review copies should be sent to the address below.

Sarah Dustagheer
School of English
Rutherford College
University of Kent
Canterbury CT2 7NX
UNITED KINGDOM

Please send book review copies to the contact above. Review copies received by the Johns Hopkins University Press office will be discarded.

Detailed Book Review guidelines may be downloaded here.

Shakespeare Bulletin publishes a substantial section of performance reviews in each issue. These may include theater productions, films, digital and live broadcast productions, dance, opera, comedy, adaptations, new writing, and other forms of performance derived from the works of Shakespeare and his contemporaries.

Authors interested in writing performance reviews for Shakespeare Bulletinare advised to contact the Performance Reviews Editor, Kathryn Vomero Santos, in the first instance at ksantos@trinity.edu . Reviewers may use their Shakespeare Bulletin affiliation to request complimentary tickets from theaters, but only if the review has been agreed in advance with the Performance Reviews Editor. Reviews are usually 1000–1500 words long.

Detailed Performance Review guidelines may be downloaded here.

Abstracting & Indexing Databases

• EBSCOhost
  • Current Abstracts, 6/1/2004-
  • Humanities International Complete, 6/1/2004-
  • Humanities International Index, 6/1/2004-
  • Humanities Source, 6/1/2004-
  • Humanities Source Ultimate, 6/1/2004-
  • International Bibliography of Theatre & Dance with Full Text, 1/1/1999-
  • Literary Reference Center, 1/1/2005-
  • Literary Reference Center Plus, 1/1/2005-
  • MLA International Bibliography (Modern Language Association)
  • TOC Premier (Table of Contents), 6/1/2004-
• Gale
  • Book Review Index Plus
  • Gale Academic OneFile, 03/2004-
  • Gale Academic OneFile Select, 03/2004-
  • Gale General OneFile, 03/2004-
  • Gale OneFile: High School Edition, 03/2004-
  • Gale OneFile: Popular Magazines, 03/2004-
  • InfoTrac Custom, 3/2004-
  • MLA International Bibliography (Modern Language Association)
  • Shakespeare Collection, 3/2004-
• OCLC
  • ArticleFirst, vol.19, 2001-vol.29, no.4, 2011
  • Electronic Collections Online, vol.24, no.1, 2006-vol.29, no.3, 2011
• ProQuest
  • Arts Premium Collection, 1/1/2006-
  • MLA International Bibliography (Modern Language Association)
  • Music & Performing Arts Collection, 01/01/2017-
  • Performing Arts Periodicals Database, 01/01/2006-
  • Periodicals Index Online, 5/1/1983-9/1/1983
  • The Annual Bibliography of English Language and Literature (ABELL)

Abstracting & Indexing Sources

• MLA Abstracts of Articles in Scholarly Journals (Ceased) (Print)

Source: Ulrichsweb Global Serials Directory.

Published quarterly

Readers include: Professionals in the theatre world and Shakespeare academicians and practitioners

Print circulation: 133

Print Advertising Rates

Full Page: (4.75 x 7.5”) – $375.00

Half Page: (4.75 x 3.5”) – $281.00

2 Page Spread – $563.00

Print Advertising Deadlines

March Issue – January 15

June Issue – April 15

September Issue – July 15

December Issue – October 15

Online Advertising Rates (per month)

Promotion (400x200 pixels) – $281.00

Online Advertising Deadline

Online advertising reservations are placed on a month-to-month basis.

All online ads are due on the 20th of the month prior to the reservation.

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eTOC (Electronic Table of Contents) alerts can be delivered to your inbox when this or any Hopkins Press journal is published via your ProjectMUSE MyMUSE account. For detailed instructions on setting up your MyMUSE account and alerts, click here.