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Dressing Modern Frenchwomen

Marketing Haute Couture, 1919–1939

Mary Lynn Stewart

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At a glance, high fashion and feminism seem unlikely partners. Between the First and Second World Wars, however, these forces combined femininity and modernity to create the new, modern French woman. In this engaging study, Mary Lynn Stewart reveals the fashion industry as an integral part of women's transition into modernity.

Analyzing what female columnists in fashion magazines and popular women novelists wrote about the "new silhouette," Stewart shows how bourgeois women feminized the more severe, masculine images that elite designers promoted to create a hybrid form of modern that both…

At a glance, high fashion and feminism seem unlikely partners. Between the First and Second World Wars, however, these forces combined femininity and modernity to create the new, modern French woman. In this engaging study, Mary Lynn Stewart reveals the fashion industry as an integral part of women's transition into modernity.

Analyzing what female columnists in fashion magazines and popular women novelists wrote about the "new silhouette," Stewart shows how bourgeois women feminized the more severe, masculine images that elite designers promoted to create a hybrid form of modern that both emancipated women and celebrated their femininity. She delves into the intricacies of marketing the new clothes and the new image to middle-class women and examines the nuts and bolts of a changing industry—including textile production, relationships between suppliers and department stores, and privacy and intellectual property issues surrounding ready-to-wear couture designs.

Dressing Modern Frenchwomen draws from thousands of magazine covers, advertisements, fashion columns, and features to uncover and untangle the fascinating relationships among the fashion industry, the development of modern marketing techniques, and the evolution of the modern woman as active, mobile, and liberated.

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Dressing Modern Frenchwomen

Mary Lynn Stewart

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Reviews

Reviews

A history no college-level fashion collection should be without.

Scholarly and deeply empirical, the book's detail is wonderful.

This is... a very valuable book. Its insights into interwar culture and business practices will be useful for all historians of the period.

This is a solid addition to scholarly knowledge on multiple topics. Stewart clearly demonstrates the importance of her subject and has mined her sources to good effect.

An illuminating book that... brings much to fashion and gender studies.

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About

Book Details

Publication Date
Status
Available
Trim Size
6
x
9
Pages
328
ISBN
9780801888038
Illustration Description
14 b&w photos
Table of Contents

List of Illustrations
Acknowledgments
Introduction
Part I: Gender, Genius & Publicity
1. Couturiers/Couturières
2. Hybrid Modern
3. Publicity
Part II: Business & the Workplace
4. Business
5. The Workplace
Part

List of Illustrations
Acknowledgments
Introduction
Part I: Gender, Genius & Publicity
1. Couturiers/Couturières
2. Hybrid Modern
3. Publicity
Part II: Business & the Workplace
4. Business
5. The Workplace
Part III: Democratizing Fashion
6. Copying and Copyrighting
7. Shopping and Sewing
Part IV: Modern Women
8. The Politics of Modern Fashion
9. The Gender of the Modern
10. The Modern Woman?
Epilogue
Notes
Index

Author Bio
Featured Contributor

Mary Lynn Stewart

Mary Lynn Stewart is a professor and chair of women's studies at Simon Fraser University in British Columbia, Canada. She is the author of For Health and Beauty: Physical Culture for Frenchwomen, 1880s–1930s and coauthor of Gender and the Politics of Social Reform in France, 1870–1914, both published by Johns Hopkins.
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