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Chasing Sound

Technology, Culture, and the Art of Studio Recording from Edison to the LP

Susan Schmidt Horning

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How technically enhanced studio recordings revolutionized music and the music industry.

In Chasing Sound, Susan Schmidt Horning traces the cultural and technological evolution of recording studios in the United States from the first practical devices to the modern multi-track studios of the analog era. Charting the technical development of studio equipment, the professionalization of recording engineers, and the growing collaboration between artists and technicians, she shows how the earliest efforts to capture the sound of live performances eventually resulted in a trend toward studio…

How technically enhanced studio recordings revolutionized music and the music industry.

In Chasing Sound, Susan Schmidt Horning traces the cultural and technological evolution of recording studios in the United States from the first practical devices to the modern multi-track studios of the analog era. Charting the technical development of studio equipment, the professionalization of recording engineers, and the growing collaboration between artists and technicians, she shows how the earliest efforts to capture the sound of live performances eventually resulted in a trend toward studio creations that extended beyond live shows, ultimately reversing the historic relationship between live and recorded sound.

Schmidt Horning draws from a wealth of original oral interviews with major labels and independent recording engineers, producers, arrangers, and musicians, as well as memoirs, technical journals, popular accounts, and sound recordings. Recording engineers and producers, she finds, influenced technological and musical change as they sought to improve the sound of records. By investigating the complex relationship between sound engineering and popular music, she reveals the increasing reliance on technological intervention in the creation as well as in the reception of music. The recording studio, she argues, is at the center of musical culture in the twentieth century.

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Chasing Sound

Susan Schmidt Horning

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Reviews

Reviews

[Chasing Sound] does more than traverse the technology of sound recordings: it provides a history on the evolution of sound recording, quality, and even popular music movements, and is a 'must' for any music history or music technology library.

Chasing Sound is a welcome addition to a growing literature illuminating the history of sound recording.... What makes the book unique are the author's interviews with dozens of engineers and producers. The voices of those who worked in the studios day in and day out enliven the rest of the book's narrative with a perspective born of practical experience.

This 292-page hardbound book goes back to Edison’s invention, moves through the electrical recording era and brings us to the end of the analog recording studio.

Schmidt Horning's excellent dissertation... provides us with valuable and well-founded information of the recording music business from its early beginnings until the rock music era. This book can be recommended to all not only interested in the technological development of sound recording, but also in the sociological change of the recording profession from the 1890s to the late 1960s.

Chasing Sound represents an indispensable and critical approach for historians of sound, one that is unafraid of reconfiguring the central players in a narrative as big as the history of recorded music.

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About

Book Details

Publication Date
Status
Available
Trim Size
6
x
9
Pages
320
ISBN
9781421418483
Illustration Description
16 b&w photos
Table of Contents

Acknowledgments
Introduction
1. Capturing Sound in the Acoustic Era
2. The Studio Electrifies
3. A Passion for Sound
4. When High Fidelity Was New
5. Control Men in Technological Transition
6. The Search for

Acknowledgments
Introduction
1. Capturing Sound in the Acoustic Era
2. The Studio Electrifies
3. A Passion for Sound
4. When High Fidelity Was New
5. Control Men in Technological Transition
6. The Search for the Sound
7. Channeling Sound
Conclusion
Notes
Essay on Sources
Index

Author Bio
Featured Contributor

Susan Schmidt Horning, Ph.D.

Susan Schmidt Horning is an associate professor of history at St. John’s University in New York and a contributor to Music and Technology in the Twentieth Century.