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Red Modernism

American Poetry and the Spirit of Communism

Mark Steven

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How did modernist poetry respond—both thematically and technically—to communism?

In Red Modernism, Mark Steven asserts that modernism was highly attuned—and aesthetically responsive—to the overall spirit of communism. He considers the maturation of American poetry as a longitudinal arc, one that roughly followed the rise of the USSR through the Russian Revolution and its subsequent descent into Stalinism, opening up a hitherto underexplored domain in the political history of avant-garde literature. In doing so, Steven amplifies the resonance among the universal idea of communism, the…

How did modernist poetry respond—both thematically and technically—to communism?

In Red Modernism, Mark Steven asserts that modernism was highly attuned—and aesthetically responsive—to the overall spirit of communism. He considers the maturation of American poetry as a longitudinal arc, one that roughly followed the rise of the USSR through the Russian Revolution and its subsequent descent into Stalinism, opening up a hitherto underexplored domain in the political history of avant-garde literature. In doing so, Steven amplifies the resonance among the universal idea of communism, the revolutionary socialist state, and the American modernist poem.

Focusing on three of the most significant figures in modernist poetry—Ezra Pound, William Carlos Williams, and Louis Zukofsky—Steven provides a theoretical and historical introduction to modernism’s unique sense of communism while revealing how communist ideals and references were deeply embedded in modernist poetry. Moving between these poets and the work of T. S. Eliot, Langston Hughes, Muriel Rukeyser, Gertrude Stein, Wallace Stevens, and many others, the book combines a detailed analysis of technical devices and poetic values with a rich political and economic context.

Persuasively charting a history of the avant-garde modernist poem in relation to communism, beginning in the 1910s and reaching into the 1940s, Red Modernism is an audacious examination of the twinned history of politics and poetry.

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Red Modernism

Mark Steven

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Reviews

A fascinating, timely, and rigorous study, Red Modernism is a virtuosic treatment of the question of communism in American modernist poetry. Steven presents readers with an exhilarating conceptual performance that asks us to challenge what we mean by both 'communism' and 'modernism.'

About

Book Details

Table of Contents

Acknowledgments
1. Introduction
2. Ezra Pound
3. William Carlos Williams
4. Louis Zukofsky
Epilogue
Notes
Index

Author Bio
Featured Contributor

Mark Steven

Mark Steven is a research fellow at the Centre for Modernism Studies in Australia, based at the University of New South Wales.