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Art, Perception, and Reality

E.H. Gombrich, Julian Hochberg, and Max Black

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In Art, Perception, and Reality three eminent scholars explore questions relating to the nature of representation in art. Art historian E. H. Gombrich asks how we recognize likeness—in portraits or caricatures for instance—and concludes that we do so by empathy. Psychologist Julian Hochberg rejects Gombrich's argument, suggesting instead that the expectations aroused in the scanning processes of visual perception account for recognition of likeness. Finally, philosopher Max black argues that no criteria have been established for defining conditions of representation and concludes that...

In Art, Perception, and Reality three eminent scholars explore questions relating to the nature of representation in art. Art historian E. H. Gombrich asks how we recognize likeness—in portraits or caricatures for instance—and concludes that we do so by empathy. Psychologist Julian Hochberg rejects Gombrich's argument, suggesting instead that the expectations aroused in the scanning processes of visual perception account for recognition of likeness. Finally, philosopher Max black argues that no criteria have been established for defining conditions of representation and concludes that representation is a "cluster concept."

Reviews

Reviews

The approach of the book is very original because it presents itself as the interdisiplinary convergance of three adopted points of view, respectively, the history of art, the psychology, and the philosophy.

Bringing together essays by an art historian, a psychologist, and a philosopher, is an important event, for it marks a growing interest in the suggestive but very problematic relation between our experience of art and our perception of the visual world.

Power to provoke thought.

Stimulating and erudite. It considers the problem of likeness between a portrait and the sitter, and the role of empathy, a much neglected aspect in the nature of creating art.

This useful book contains three significant essays on the subject by an art historian, a psychologist, and a philosopher. Hochberg's theoretical demolition of the theory of empathy in relation to viewing art objects is of exceptional value.

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Book Details

Publication Date
Status
Available
Trim Size
6
x
9
Pages
142
ISBN
9780801815522
Table of Contents

Preface
Part I. The Mask and the Face: The Perception of Physiognomic Likeness in Life and in Art
Part II. The Representation of Things and People
Part III. How do Pictures Represent?
Postscript
Index

Author Bios
E. H. Gombrich
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E. H. Gombrich

E. H. Gombrich is director emeritus of the Warburg Institute at the University of London.
Featured Contributor

Max Black

Max Black was Susan Linn Sage Professor of Philosophy and Humane Letters at Cornell University.