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The "Good War" in American Memory

John Bodnar

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The "Good War" in American Memory dispels the long-held myth that Americans forged an agreement on why they had to fight in World War II. John Bodnar's sociocultural examination of the vast public debate that took place in the United States over the war's meaning reveals that the idea of the "good war" was highly contested.

Bodnar's comprehensive study of the disagreements that marked the American remembrance of World War II in the six decades following its end draws on an array of sources: fiction and nonfiction, movies, theater, and public monuments. He identifies alternative strands of...

The "Good War" in American Memory dispels the long-held myth that Americans forged an agreement on why they had to fight in World War II. John Bodnar's sociocultural examination of the vast public debate that took place in the United States over the war's meaning reveals that the idea of the "good war" was highly contested.

Bodnar's comprehensive study of the disagreements that marked the American remembrance of World War II in the six decades following its end draws on an array of sources: fiction and nonfiction, movies, theater, and public monuments. He identifies alternative strands of memory—tragic and brutal versus heroic and virtuous—and reconstructs controversies involving veterans, minorities, and memorials. In building this narrative, Bodnar shows how the idealism of President Franklin Roosevelt's Four Freedoms was lost in the public commemoration of World War II, how the war's memory became intertwined in the larger discussion over American national identity, and how it only came to be known as the "good war" many years after its conclusion.

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Reviews

The comprehensiveness and scope of Bodnar's research makes [The 'Good War' in American Memory] a fine addition to an expanding body of work that seeks to complicate a consensus view of the war and that work toward a polysemic understanding of the past.

This engaging and well-written book addresses not just World War II but has implications for war remembrance more generally. Bodnar's analysis speaks powerfully to how cultures of nationalism and of war can become challenged amidst the heartbreak of massive death—and then to how easily such challenges may be forgotten and displaced by heroic narratives.

Bodnar provides a corrective lens for those whose recent myopia accepts the celebratory effect of... traditional treatments of American participation in World War II... What Bodnar has adamantly recovered is the faded suffering of family members whose loved ones were buried overseas or never found, and the memories of veterans who could not escape the confusion and frustration.

Show[s] movingly and with great care how the history of emotion is embedded in the history of war and point[s] the way to future scholarship with authority and conviction. That is no mean achievement.

This is an outstanding book that reminds historians that today's memory may be shaped by a longing for a past that may not have existed. It is an excellent analysis of mixed messages and is highly recommended.

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Book Details

Publication Date
Status
Available
Trim Size
6
x
9
Pages
320
ISBN
9781421405827
Illustration Description
12 halftones
Table of Contents

Acknowledgments
Introduction
1. Wartime
2. Soldiers Write the War
3. "No Place for Weaklings"
4. Monuments and Mournings
5. The Split Screen
6. The Outsiders
7. The Victors
Conclusion
Postscript on Iraq
Notes
Sel

Acknowledgments
Introduction
1. Wartime
2. Soldiers Write the War
3. "No Place for Weaklings"
4. Monuments and Mournings
5. The Split Screen
6. The Outsiders
7. The Victors
Conclusion
Postscript on Iraq
Notes
Selected Bibliography
Index

Author Bio
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John Bodnar

John Bodnar is Chancellor's Professor of History at Indiana University, Bloomington, and author of numerous books, including Remaking America: Public Memory, Commemoration, and Patriotism in the Twentieth Century.
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